Boris and Sunn O))) - Altar: Complete Edition (2006)

A collaboration to end all heaviness, 2006's Altar sees the wedding of two of metal's most hallowed names, American drone/doomers Sunn O))) (for the uninitiated, yes, it's just pronounced 'Sun') and Japanese sludge psychos Boris (who awesomely derive their own name from a song off the Melvins' 1991 album Bullhead). Another exploration in the pseudo-genre of 'power ambient' neologized by Sunn-sters Greg Anderson and Stephen O'Malley, the set here merges the former band's moody doomscapes with the latter's awesome sense of tonality and texture to produce some of the prettiest and most trying heavy music you're ever likely to come across. The 'complete edition' I've put together here includes every track from the Southern Lord and Inoxia Records versions for a whopping nine songs clocking in at over 90 minutes. A record to be listened to at high volumes and in low light.

allmusic

Awesome photos from a live performance of Altar

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Buy here (direct from Southern Lord)

D/l link here

Azul - Blue Demo (2002?)

A BURNING MINDS exclusive, this 5-track demo EP was cut by some friends of mine from high school in the early 2000s. Centered around some absolutely insane sax and guitar interplay, Azul lay down some of the best and hardest jazz/psych I've ever heard, all the more impressive if you consider that most of this material was written when they were 16, and their sound on this recording is full and hearty. Hands-down one of my favorite live acts, Azul went their separate ways after school, occassionally playing reunion shows in their native North Hollywood and the surrounding S.F. Valley. Lead singer and axe-slinger Brandon Intelligator now plays guitar in an NYC indie band called The Restless.

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Pearls Before Swine - One Nation Underground (1967) + Balaklava (1968)

A tragically underlooked talent that is only now beginning to receive the renown he/they deserve, Tom Rapp and his Pearls Before Swine emerged from the oversaturated 60's folk-rock scene with a strangely timeless surrealist sound unlike any of their contemporaries. Rapp's echo-drenched lisp winds bittersweetly through a maze of styles and tempos here, from old-timey pieces ('Guardian Angel', see below) and faux-raga ('I Shall Not Care') to rousing garage/folk ('Uncle John'), and the moods achieved across these albums are simply too numerous to count. Located somewhere in the same sonic universe as 'Highway 61'-era Dylan and the 13th Floor Elevators, Pearls Before Swine are simply one-of-a-kind, the work of a bona fide rock'n'roll genius (I am tempted to say 'auteur') and a high watermark in the acid-folk tradition. On a personal note, these two albums - which represent the band's work on independent labels - were among the few I had with me on my journeys in India last fall, earning them an especially special place in my rainbow-colored heart.

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The Trees Community - The Christ Tree Box Set (1975; reissued 2007)

One of the more unique musical statements you're likely to hear in this lifetime, The Christ Tree box is a retrospective collection of Christian acid-folk troubadours The Trees Community, a wandering band of Jesus People who composed haunting, lushen reinterpretations of classic and contemporary hymnals. With more than 80 instruments played by only seven members, The Trees Community explore a compelling space between religious and psychedelic consciousness, mixing hippie communitarianism with Christian agape to produce a powerful alternative to contemporary fundamentalisms. My own discomfort with devotional music aside, this collection ranks among the finest psych-folk I've come across, its lyrical tone serving as icing on an already freaky cake. Check out 'Psalm 42' below, guaranteed to soothe even the most Satanic beast within.

excellent allmusic review

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downloads: disc one - disc two - disc three - disc four

Manuel Göttsching - Inventions for Electric Guitar (1974)

While technically credited to his Ash Ra Tempel / Ashra outfit, Inventions for Electric Guitar is in fact a Manuel Göttsching solo exercise, following the legendary space-rocker through a series of complex tape delays to produce three ambient prog epics somewhat reminiscent of Robert Fripp's 'Frippertronics' work with (and without) Brian Eno. While there are plenty of tape-delay masterworks out there to sort trhough, IFEG stakes out its own claim to worthiness on Göttsching's incredible speed and precision, along with a fine sense for mood and - dare I say it - negative space. What I love about this piece is its listening dynamism: while it can certainly be appreciated as an ambient piece, those who pay close attention are rewarded with countless intricacies that are all to more impressive when one considers that all sounds here were produced with a single electric guitar.

allmusic

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Aural Fit - Livestock (Tokyo, 2004)

Another lucky internet find for yours truly, Aural Fit embody just about everything I seek in music, an insanely heavy, sludgedout headfest meant strictly for fucking minds. On this live album from 2004, the blues are lit aflame and then shredded through layers of bellowing squeal, descending into harsh, psychedelic noise before being twisted back into AMT Cosmic Inferno-like jams. Not for the faint of heart.

myspace

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鉄アレイ (Tetsu Arei) - 鉄アレイ II

Heard about these Tokyo hardcore legends (whose name, by the way, translates as 'Iron Dumbbell') from my friend Kohei, who used to play with one of their former members in the equally ubiquitous Extinct Government. Apparently these guys were one of the original hardcore punk bands to form in Japan, and their super-heavy sound makes this a good deal more interesting than your average throw-away hardcore album. Don't get me wrong; these guys are as punked out as they get, but it's the way they combine typically catchy street-punk screamalongs with Sabbath-esque guitar sludge that gives them an edge up on the competition. Unfortunately, my inability to read Japanese makes finding album art and further info impossible, but luckily that won't prevent you from enjoying the songs.

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