A mixed bag of harsh noise and other electronic wierdness compiled by William Bennet of seminal noise posse Whitehouse. While the anonymous nature of these songs along with the extreme obscurity of their performers makes such claims almost impossible to confirm or deny, I've heard accusations that these pieces were actually produced by Bennet himself and dolled up as 'African' in a crass marketing ploy. If so, kudos to Mr. Bennet for his sharp (if evil) mind as well as his prolific talent, but the variety of styles explored within would seem to suggest otherwise. Either way, the music(?) here is pretty excellent across the board, and manages to keep momentum even across a number of relatively-similar drone pieces. If you think this compilation embodies the imperialist tendencies of 'world music,' you'll love its follow up, the equally tokenizing Extreme Music from Women.Available via PayPal from Susan Lawly.
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